P1, M1, D1 M1 You have contributed towards the production of a practical portfolio of examples of editing techniques that have been annotated to describe and explain how these techniques and conventions of continuity developed from early filmmakers. There is some discussion of their purpose in contemporary examples. Your timeline has some explanation of the developments in film editing referring to examples of films and filmmakers across the Early and Modern periods and their purpose. There is some discussion of how one stage led on to the other within the context of the principles of in camera editing, continuity, soviet montage, new wave discontinuity, and the influence on stylistic editing techniques of contemporary auteurs in independent cinema. Your Video Guide Pioneers section video guide provides a detailed commentary of the development and purposes of techniques used in early cinema with specific reference to examples from their films and analysis of purpose. Lacking argument and comparison with contemporary for D. A very high standard of production quality in the editing and presentation of the video P2 M2 D2 M2 Prepare for editing - all steps have been followed to a standard approaching professional practice within a realistic time constraint. The screen grabs of digitising footage into 3 bins per scene, logging the clips, reviewing the rushes, creating a Final Cut generated EDL along with the editors log demonstrate competence and a Merit level of understanding why preparation for editing is necessary. P3 M3 D3 M2 The thriller narrative sequence has been edited to produce a preliminary rough cut, then a proficient 5 minute short film. Sound has been added suited to genre and scored to the images, though lacking foley it has ambience later for the twist. Continuity flows quite well with no obvious jump cuts but lacks sophistication match on actions. Some effective control over pace and rhythm and attempts to be creative using ‘anxiety flashbacks’. The edit was completed to a realistic timescale under controlled conditions and you worked in a manner approaching professional standards.
ReplyDeleteP1, M1, D1
M1 You have contributed towards the production of a practical portfolio of examples of editing techniques that have been annotated to describe and explain how these techniques and conventions of continuity developed from early filmmakers. There is some discussion of their purpose in contemporary examples.
Your timeline has some explanation of the developments in film editing referring to examples of films and filmmakers across the Early and Modern periods and their purpose. There is some discussion of how one stage led on to the other within the context of the principles of in camera editing, continuity, soviet montage, new wave discontinuity, and the influence on stylistic editing techniques of contemporary auteurs in independent cinema.
Your Video Guide Pioneers section video guide provides a detailed commentary of the development and purposes of techniques used in early cinema with specific reference to examples from their films and analysis of purpose. Lacking argument and comparison with contemporary for D. A very high standard of production quality in the editing and presentation of the video
P2 M2 D2 M2 Prepare for editing - all steps have been followed to a standard approaching professional practice within a realistic time constraint. The screen grabs of digitising footage into 3 bins per scene, logging the clips, reviewing the rushes, creating a Final Cut generated EDL along with the editors log demonstrate competence and a Merit level of understanding why preparation for editing is necessary.
P3 M3 D3 M2 The thriller narrative sequence has been edited to produce a preliminary rough cut, then a proficient 5 minute short film. Sound has been added suited to genre and scored to the images, though lacking foley it has ambience later for the twist. Continuity flows quite well with no obvious jump cuts but lacks sophistication match on actions.
Some effective control over pace and rhythm and attempts to be creative using ‘anxiety flashbacks’. The edit was completed to a realistic timescale under controlled conditions and you worked in a manner approaching professional standards.